Get What You Need

I have "multiple projects in various stages of development."

My first and most passionate work is Wittenberg, a prequel to Shakespeare's Hamlet. Since then I have developed screenplays in various genres and have helped many screenwriters take their scripts to the next level. Will you be next?

Currently, I'm working with 4L Films for bring SEND to the screen.  Stay tuned for developments and how you can get involved.

Get Wittenberg  |  Learn about Send  |  Get Story Support  |  Join the Pre-Script Pro-Strategy Seminar

Latest Blogs

A new window of technology

Why am I blogging this?  This isn't about screenwriting!

But it is. We imagine, and it becomes reality...  Some day.  Sometimes things exist only in theory or on the silver screen, like socialist utopias.  Other things are just a matter of time.  That, and the laws of physics, political bias or social acceptance. 

Star Trek came out with flip phones and now they're so 2005.  We have smarter phones now!

Tinker Tailor Soldier Spy

I love spy movies.  I can't understand why anyone wouldn't.  And this is John le Carré!  The spy master's big story on the big screen.

So why did I have to drive 22 miles to see Tinker Tailor Soldier Spy?  Seriously, this is Los Angeles and only TWO theaters want to open a spy movie with Gary Oldman, Colin Firth, Mark Strong, Tom Hardy, John Hurt and a host of other crack actors at the top of their game? 

Script Cops: McKee Sting

These guys are starting to play hardball with writers.  But they did have it coming.  See the video here:

http://vimeo.com/7015951

Tragic really.  Writers so addicted to the rush of script seminars, to some guru's biting analytical approach, willing to sit through hours of frame-by-frame deconstruction of movies for what seems like educational purposes. 

Friends, with lateral benefits

Friends With Benefits comes out on DVD/Blueray today.  Not that you should get it -- in fact, you shouldn't.  It's crass, mean-spirited, promotes the division of sexuality from emotions even while it's theme expresses the opposite, and perhaps the worst thing for Hollywood, it's derivative.  For all its snarky banter, it's structure is still paint-by-numbers. It wants to mock its romcom conventions but ends up rolling in them. 

Syndicate content